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Home › Posts created by Elena Ringo
  • Brigitte Bardot

    Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

    by Elena Ringo News

    From Screen Icon to Champion for the Voiceless Today, the world mourns the passing of Brigitte Bardot, the legendary French actress, singer, and activist, who died at the age of 91. Bardot’s life spanned decades of cultural transformation, and she remained a figure of independence, courage, and unwavering commitment to her beliefs until the very

    Read more »

  • Ronn Moss in Espoo. Photo by Elena Ringo.

    Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

    by Elena Ringo Film, Interviews, Personalities

    The former Player frontman and beloved Ridge Forrester shares his music, stories, and philosophy in an unforgettable concert at Tapiola Hall. Ronn Moss — the American actor, musician, and eternal Ridge Forrester for Finnish audiences — brought his unmistakable charm and musical talent to Espoo’s Tapiola Concert Hall on October 8, 2025. Best known for

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  • Jean-Paul Belmondo and Jean Seberg in Breathless

    Forever Breathless: 65 Years of Godard’s À bout de souffle

    by Elena Ringo Articles, Film, Personalities

    In the spring of 1960, French cinema was transformed when Jean-Luc Godard’s À bout de souffle (Breathless) premiered in Paris. Sixty-five years later, it remains not just a cornerstone of the French New Wave but an emblem of artistic rupture—a declaration that cinema could breathe differently, speak in fragments, and move with the improvisational spirit

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  • The Brutalist

    Concrete Nothingness: How The Brutalist Builds to Nowhere

    by Elena Ringo Film, Reviews

    I approached The Brutalist with genuine curiosity and respect. A film centered on an architect—played by the always compelling Adrien Brody—seemed like an invitation into a world of aesthetic discipline, existential inquiry, and visual rigor. Instead, I found myself trapped in a three-hour descent into artistic delusion—an experience so pretentious, so hollow, and ultimately so

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  • Anora

    Anora: A Vulgar Ass-ault on Cinema

    by Elena Ringo Film, Reviews

    Anora is a glaring example of cinema gone wrong—a film that sacrifices depth and integrity for vulgarity and cheap shock value. Despite inexplicably sweeping numerous prizes at the Cannes Film Festival, the film is mediocre at best, raising serious questions about the festival’s current standards and relevance. The story is shallow and exploitative, centering on

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  • Megalopolis

    Megalopolis: A Misstep from a Legendary Director

    by Elena Ringo Film, Reviews

    Francis Ford Coppola’s Megalopolis is a film decades in the making, a passion project fueled by the kind of ambition only a cinematic titan like Coppola could muster. Envisioned in the late 1970s and shaped over forty years, it represents the director’s desire to create a sprawling sci-fi epic with profound ideas about society, power,

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  • Alain Delon

    Alain Delon, Iconic French Star and Cinema Legend, Dies at 88

    by Elena Ringo Articles, Film, News

    Alain Delon, the French cinema icon who recently passed away, was more than just an actor; he was a symbol of an era, embodying the allure and complexity that defined the golden age of European cinema. Over a career that spanned five decades and more than 100 films, Delon captivated audiences worldwide with a unique

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  • What Remains

    “What Remains” by Ran Huang – Locarno Review

    by Elena Ringo Articles, Film, Reviews

    A Tedious and Unimpressive Exploration Scandinavian thriller by Ran Huang “What Remains” fails to thrill and falls painfully short of delivering a captivating and engaging narrative. Set in the 1990s and centered around a psychopathic individual who is accused of heinous crimes, portrayed by Gustaf Skarsgård, the film attempts to delve into a realm of

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  • Barbie

    “Barbie”: A Plastic Parade of Pseudo-Philosophy

    by Elena Ringo Film, Reviews

    Greta Gerwig’s “Barbie” attempts to reimagine the iconic doll as a vehicle for feminist commentary but ultimately falls flat, bogged down by lackluster humor, repetitive messaging, and a pseudo-philosophical narrative. Despite the overwhelming media hype and extensive marketing campaign, the film struggles to deliver anything beyond a shallow critique of gender roles wrapped in a

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  • Touched (2023) by Claudia Rorarius – Locarno Review

    by Elena Ringo Festivals, Film, Reviews

    The film “Touched” by director Claudia Rorarius was screened at Locarno Film Festival 2023 in the Concorso Cineasti del presente program and was introduced as a love story about a forbidden romance, “celebrating diverse bodies and breaking taboos”. On 12th of august the lead actors Ísold Halldórudóttir and Stavros Zafeiris won the Pardo for Best Performance. “Touched” is

    Read more »

  • Fallen Leaves

    “Fallen Leaves”: A Wry and Tender Portrait of Love in Kaurismäki’s Helsinki

    by Elena Ringo Film, Reviews

    Aki Kaurismäki’s latest film, “Fallen Leaves,” is a bittersweet exploration of love amidst the harsh realities of life in Helsinki. Known for his deadpan humor and minimalist style, Kaurismäki returns with a story that is both melancholic and amusing, set in a cityscape far removed from the picturesque visions often associated with Finland. This film,

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  • Conversation Piece

    Helmut Berger: Exploring the Best Roles of a Legendary Actor

    by Elena Ringo Film, News

    Helmut Berger, a distinguished Austrian actor whose recent passing left a void in the world of cinema, has etched an indelible mark on the silver screen through his captivating performances and undeniable charm. Over the course of his illustrious career spanning more than five decades, Berger showcased unparalleled talent and versatility, breathing life into a

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  • Blonde

    by Elena Ringo Film, Reviews

    Cheap misogynistic exploitation and a disgusting attempt to slander American icon Marilyn Monroe

    Read more »

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Latest News

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

Exploring Love Through Grief: Darrell Bridgers’ Psychological Journey in “Zeke”

by Diana Ringo September 16, 2024 | No Comment

“HOME”: Shimizu K’s Latest Film Examines Family Relationships and the Complexity of Communication

by Diana Ringo September 14, 2024 | No Comment

Kyle Browne and Ken Kinna’s Meditative Film “Spirit Sensing: Anima of the Quarry”

by Diana Ringo September 8, 2024 | No Comment

Interview with film director and animation legend John Musker

by Diana Ringo September 8, 2024 | No Comment

The Untold Influence of Arleen Schloss: Stuart Ginsberg Discusses His Documentary Debut

by Diana Ringo September 5, 2024 | No Comment

A Modern Surrealist Tale: “Love Intense” Creators Discuss Their Vision and Process

by Diana Ringo August 31, 2024 | No Comment

Mark Tompkins Explores Dark Suburban Realities in “This Is Not My Beautiful House”

by Diana Ringo August 29, 2024 | No Comment

From Earth to Mars: Kai Yang Explores Parallel Realities in “Upon the Deep”

by Diana Ringo August 28, 2024 | No Comment

Darron Carswell on Making a Neo-Western Road Movie with Villa Mink

by Diana Ringo August 27, 2024 | No Comment

Carlos Arjona Crafts a Contemporary Tale of Mayan Myth in “Far Away from My Town”

by Diana Ringo August 27, 2024 | No Comment

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