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Home › Posts created by Elena Ringo
  • The Shape of Water

    The Shape of Water – Review

    by Elena Ringo Reviews

    The Shape of Plagiarism of director Guillermo del Toro American film The Shape of Water was awarded several prestigious prizes including the Golden Lion at Venice Film Festival, received thirteen Oscar nominations and got mostly positive reviews from film critics. Recently the film The Shape of Water came into the center of attention due to

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  • Loving Vincent

    Loving Vincent – Review

    by Elena Ringo Film, Reviews

    Loving Vincent is a masterfully created tribute to Vincent van Gogh. Loving Vincent gives the audience an unique chance to get into the mysterious world of Van Gogh’s art. Creators of the film had a very complicated task; to paint in oil more than 65.000 frames, reproducing the style of a genius. Some of the

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  • Konstantin Lopushansky

    Interview with director Konstantin Lopushansky

    by Elena Ringo Film, Interviews, Personalities

    Konstantin Lopushansky is one of the greatest film directors of the 20th century. He is representative of the auteur cinema and the follower of spiritual traditions of Andrei Trakovsky who was his professor and mentor. In this interview taken in Vienna, Konstantin Lopushansky speaks about his experience of studying under the guidance of Andrei Tarkovsky,

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  • Platonov – VIFF 2017

    by Elena Ringo Festivals, Film, Theater

    The best film adaptation of Chekhov’s Platonov. The film Platonov received three awards at the Vienna Independent Film Festival 2017 – Best Feature Film, Best Cinematography and Best Actress. It was made in 2015 by a German director Andreas Morell and is based on an early play by Anton Chekhov which was found only after

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  • Logan

    Logan Review

    by Elena Ringo Festivals, Film, Reviews

    Director James Mangold’s Logan is the best movie of the X-Men series. Despite the fact that “Logan” is a purely commercial film, it was screened out of competition at the Berlinale 2017. It is the tenth installment in the X-Men film series and the last picture to focus on the character of Wolverine. The film

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  • The Other Side of Hope

    The Other Side of Hope Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Disappointing picture by Aki Kaurismäki lacks a compelling plot and has few laughs. The Other Side of Hope is the long awaited film of the outstanding Finnish director Aki Kaurismäki. His most successful films such as The Match Factory Girl and The Man Without a Past with their distinctive minimalist style and acerbic jokes made

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  • Wild Mouse

    Wild Mouse (Wilde Maus) Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Wild Mouse, the directorial debut of cabaret artist Josef Hader, is a film about a small man made for a small audience. The film “Wild Mouse” (Wilde Maus) directed, written and starring Josef Hader was screened in competition at the 2017 Berlinale. The picture is the film debut of Hader who is well-known in Austria

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  • Hostages

    Hostages (2017) Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Gripping drama by Rezo Gigineishvili about a plane hijacking in 1983 Georgia The film Hostages (Mdzevlebi) directed by the young Georgian director Rezo Gigineishvili was shown at the Berlinale in the Panorama section. It is based on the true events of a plane hijacking in 1983 by a group of youngsters belonging to the artistic

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  • Return to Montauk, Rückkehr nach Montauk

    Return to Montauk Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Stellan Skarsgård stars in Volker Schlöndorff’s lyrical adaptation of the autobiographical novel by Max Frisch. The film Return to Montauk by veteran director Volker Schlöndorff was screened at the Berlinale in competition. It tells the story of the famous aging writer Max Zorn who has regrets about this past, in particular about his failed relationship

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  • The Midwife

    The Midwife (Sage Femme) Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Catherine Deneuve plays Béatrice in Martin Provost’s forgettable picture. The Midwife (Sage Femme) was shown at the 2017 Berlinale out of competition. The film provokes many questions and the most important one is why this trashy opus of Martin Provost was selected for the program of the festival. Perhaps the answer is the participation of

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  • Viceroy's House

    Viceroy’s House Review – Berlinale 2017

    by Elena Ringo Festivals, Film, Reviews

    Gurinder Chadha’s skillful examination of the political turmoil in 1947 India. The picture Viceroy’s House directed by Gurinder Chadha was screened out of competition at the Berlinale. The film tells the story of love between Jeet and Aalia set against the historical scenes surrounding partition of India in 1947. Their differing religious backgrounds become a

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  • The Student

    The Student (2016) – Review

    by Elena Ringo Film, Reviews

    The Student is an amusing character study of a religious fanatic “The Student” – “(M)uchenik” directed by Kirill Serebrennikov is an attempt to reconsider religious fanaticism in the modern world. The picture is based on the play “Martyr” by German author Marius von Mayenburg and it was adapted to the reality of modern Russia. In a

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  • Blow-Up

    Art and Alienation

    by Elena Ringo Essays

    In order to analyze the present state of cinematography I need to use the theory of alienation. More than 170 years ago Karl Marx wrote his Capital, where he brilliantly analyses the phenomenon of alienation in the capitalist society. Nowadays we can see that his words, written at the early stage of capitalist development, became

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Latest News

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

Exploring Love Through Grief: Darrell Bridgers’ Psychological Journey in “Zeke”

by Diana Ringo September 16, 2024 | No Comment

“HOME”: Shimizu K’s Latest Film Examines Family Relationships and the Complexity of Communication

by Diana Ringo September 14, 2024 | No Comment

Kyle Browne and Ken Kinna’s Meditative Film “Spirit Sensing: Anima of the Quarry”

by Diana Ringo September 8, 2024 | No Comment

Interview with film director and animation legend John Musker

by Diana Ringo September 8, 2024 | No Comment

The Untold Influence of Arleen Schloss: Stuart Ginsberg Discusses His Documentary Debut

by Diana Ringo September 5, 2024 | No Comment

A Modern Surrealist Tale: “Love Intense” Creators Discuss Their Vision and Process

by Diana Ringo August 31, 2024 | No Comment

Mark Tompkins Explores Dark Suburban Realities in “This Is Not My Beautiful House”

by Diana Ringo August 29, 2024 | No Comment

From Earth to Mars: Kai Yang Explores Parallel Realities in “Upon the Deep”

by Diana Ringo August 28, 2024 | No Comment

Darron Carswell on Making a Neo-Western Road Movie with Villa Mink

by Diana Ringo August 27, 2024 | No Comment

Carlos Arjona Crafts a Contemporary Tale of Mayan Myth in “Far Away from My Town”

by Diana Ringo August 27, 2024 | No Comment

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