• Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact

Indie Cinema Magazine

Menu
  • Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact
The Curse of Modigliani
The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani
The Haunting of Prince Dom Pedro
The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time
Vesse Saastamoinen in Cello

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

Brigitte Bardot

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

John Schwab in Blood Star

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

Vesse Saastamoinen in Cello
Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

The Solaris Film Festival 2026 edition took place in Helsinki, Finland, a city celebrated for its vibrant cinematic culture and historic contributions to Nordic and international film—home to auteurs like Aki Kaurismäki and iconic venues that have long nurtured independent and experimental cinema. This year, the festival was hosted at Stoa, providing an intimate and inspiring setting for audiences and... Read more

Brigitte Bardot
Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

From Screen Icon to Champion for the Voiceless Today, the world mourns the passing of Brigitte Bardot, the legendary French actress, singer, and activist, who died at the age of 91. Bardot’s life spanned decades of cultural transformation, and she remained a figure of independence, courage, and unwavering commitment to her beliefs until the very end. While she was globally... Read more

John Schwab in Blood Star
Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

In filmmaking, the math is never on your side. Vision grows, budgets tighten, and the distance between them becomes the battlefield where most first time filmmakers fall. But for director Lawrence Jacomelli and producer Victoria Taylor, the equation was even harsher. With no external financing, no U.S. production infrastructure, and a shooting schedule shorter than many commercials, the Brighton-based duo flew across the Atlantic... Read more

The Curse of Modigliani
The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

Today, on 7 December 2025, The Curse of Modigliani was released on Amazon Prime, a Finnish psychological drama in English that weaves together two lives separated by a century yet bound by the same silent force—the uncompromising spirit of art. The film, shot entirely in Helsinki during the summer of 2024, follows the fate of its protagonist, Max (Edward Pishiyski),... Read more

The Haunting of Prince Dom Pedro
The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

In a horror landscape oversaturated with self-serious franchises and disposable teen slashers, The Haunting of Prince Dom Pedro arrives as a spirited antidote — a knowingly ridiculous spoof that treats camp as an art form. Directed by Don Swanson and written by Joe Fishel (who also stars), this supernatural comedy isn’t just entertaining — it feels like discovering a future... Read more

Ronn Moss in Espoo. Photo by Elena Ringo.
Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

The former Player frontman and beloved Ridge Forrester shares his music, stories, and philosophy in an unforgettable concert at Tapiola Hall. Ronn Moss — the American actor, musician, and eternal Ridge Forrester for Finnish audiences — brought his unmistakable charm and musical talent to Espoo’s Tapiola Concert Hall on October 8, 2025. Best known for his iconic role in The... Read more

Reviews

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

“What Remains” by Ran Huang – Locarno Review

by Elena Ringo August 15, 2023 | No Comment

“Barbie”: A Plastic Parade of Pseudo-Philosophy

by Elena Ringo August 15, 2023 | No Comment

Touched (2023) by Claudia Rorarius – Locarno Review

by Elena Ringo August 11, 2023 | No Comment

“Fallen Leaves”: A Wry and Tender Portrait of Love in Kaurismäki’s Helsinki

by Elena Ringo August 1, 2023 | No Comment

Playing Through

by Diana Ringo October 4, 2022 | No Comment

Blonde

by Elena Ringo October 4, 2022 | No Comment

Mainstream (2021) by Gia Coppola

by Diana Ringo August 6, 2021 | 1 Comment

M (2018) – Review

by Elena Ringo August 19, 2019 | No Comment

The Factory – Review

by Elena Ringo February 7, 2019 | No Comment

Cold War – Review

by Elena Ringo October 24, 2018 | No Comment

Profile – Berlinale 2018 Review

by Elena Ringo February 24, 2018 | No Comment

7 Days in Entebbe – Berlinale 2018 Review

by Elena Ringo February 20, 2018 | No Comment

Dovlatov – Berlinale 2018 Review

by Elena Ringo February 19, 2018 | No Comment

Eva – Berlinale 2018 Review

by Elena Ringo February 18, 2018 | No Comment

Damsel – Berlinale 2018 Review

by Elena Ringo February 17, 2018 | No Comment

The Shape of Water – Review

by Elena Ringo January 22, 2018 | No Comment

Loving Vincent – Review

by Elena Ringo December 17, 2017 | No Comment

mother! – Review

by Günther Kramer October 11, 2017 | No Comment

Just Call Me God: A dictator’s final speech Review

by Diana Ringo March 14, 2017 | No Comment

Logan Review

by Elena Ringo March 3, 2017 | No Comment

The Other Side of Hope Review – Berlinale 2017

by Elena Ringo February 21, 2017 | No Comment

Wild Mouse (Wilde Maus) Review – Berlinale 2017

by Elena Ringo February 20, 2017 | No Comment

Hostages (2017) Review – Berlinale 2017

by Elena Ringo February 16, 2017 | No Comment

Return to Montauk Review – Berlinale 2017

by Elena Ringo February 15, 2017 | No Comment

The Midwife (Sage Femme) Review – Berlinale 2017

by Elena Ringo February 14, 2017 | No Comment

The Party Review – Berlinale 2017

by Diana Ringo February 13, 2017 | No Comment

Viceroy’s House Review – Berlinale 2017

by Elena Ringo February 12, 2017 | No Comment

Elle Review

by Günther Kramer January 26, 2017 | No Comment

The Student (2016) – Review

by Elena Ringo December 14, 2016 | No Comment

Paradise (2016) – Review

by Diana Ringo December 12, 2016 | No Comment

La-La Land Review

by Pete Brown December 9, 2016 | No Comment

Bridge of Spies Review

by Pete Brown September 25, 2016 | No Comment

Knight of Cups Review

by Günther Kramer February 29, 2016 | No Comment

The Revenant Review

by Elena Ringo February 26, 2016 | No Comment

Deadpool Review

by Pete Brown February 18, 2016 | No Comment

The Danish Girl Review

by Pete Brown December 25, 2015 | No Comment

Latest News

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

Exploring Love Through Grief: Darrell Bridgers’ Psychological Journey in “Zeke”

by Diana Ringo September 16, 2024 | No Comment

“HOME”: Shimizu K’s Latest Film Examines Family Relationships and the Complexity of Communication

by Diana Ringo September 14, 2024 | No Comment

Kyle Browne and Ken Kinna’s Meditative Film “Spirit Sensing: Anima of the Quarry”

by Diana Ringo September 8, 2024 | No Comment

Interview with film director and animation legend John Musker

by Diana Ringo September 8, 2024 | No Comment

The Untold Influence of Arleen Schloss: Stuart Ginsberg Discusses His Documentary Debut

by Diana Ringo September 5, 2024 | No Comment

A Modern Surrealist Tale: “Love Intense” Creators Discuss Their Vision and Process

by Diana Ringo August 31, 2024 | No Comment

Mark Tompkins Explores Dark Suburban Realities in “This Is Not My Beautiful House”

by Diana Ringo August 29, 2024 | No Comment

From Earth to Mars: Kai Yang Explores Parallel Realities in “Upon the Deep”

by Diana Ringo August 28, 2024 | No Comment

Darron Carswell on Making a Neo-Western Road Movie with Villa Mink

by Diana Ringo August 27, 2024 | No Comment

Carlos Arjona Crafts a Contemporary Tale of Mayan Myth in “Far Away from My Town”

by Diana Ringo August 27, 2024 | No Comment

The Magazine of Independent Cinema

Copyright © 2026 Indie Cinema Magazine

Social Links

  • Subscribe
  • About
  • Team
  • Contact