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Prague Independent Film Festival Announces 2026 Winners
Remember Me - film still
“Tell the Story That Wants to Be Told”: Claire Titelman on Grief, Comedy, and Remember Me
Hot Spot

Hot Spot: When Style Tries to Replace Cinema

Marilyn Monroe

Marilyn Monroe: A Hundred Years of an Unforgettable Icon

Jasper Pääkkönen, Lena Olin, Lasse Hallström and Andrei Alén at THE FREYAS

THE FREYAS in Helsinki: Nordic Cinema Breaks the Ice

Hot Spot
Hot Spot: When Style Tries to Replace Cinema

Agnieszka Smoczyńska’s Hot Spot presents itself as an ambitious science-fiction film combining dystopia, artificial intelligence, detective noir, political allegory, and post-apocalyptic imagery. Set in a harsh, overheated future, the film follows Johnny, a private detective investigating a murder in a society where artificial intelligence has gained enormous control over people’s lives. It sounds promising on paper. Unfortunately, the further the... Read more

Marilyn Monroe
Marilyn Monroe: A Hundred Years of an Unforgettable Icon

On June 1, 2026, Marilyn Monroe would have turned one hundred. Few figures in the history of cinema have remained as recognizable, fascinating, and endlessly discussed as the woman born Norma Jeane Baker in Los Angeles in 1926. She lived for only thirty-six years, yet the image she created has survived for generations. Marilyn Monroe is often remembered first as... Read more

Jasper Pääkkönen, Lena Olin, Lasse Hallström and Andrei Alén at THE FREYAS
THE FREYAS in Helsinki: Nordic Cinema Breaks the Ice

Inside the inaugural Nordic Film & TV Awards, where Helsinki became a meeting point for Nordic screen talent, international industry figures — and a very literal icebreaker The red carpet outside Finlandia Hall was already beginning to fill with actors, filmmakers and industry guests when the meaning of the evening became visible in an unexpected form. A real ice sculpture... Read more

Prague Independent Film Festival Announces 2026 Winners

Ed Stoppard Takes Best Director Award for The Confession The Prague Independent Film Festival (PIFF) has announced the winners of its 2026 edition, celebrating an international selection of independent filmmakers working across feature films, shorts, documentaries, animation, experimental cinema and screenwriting. The awards ceremony took place on 20 September 2026 at the historic Kino Lucerna in Prague, concluding this year’s... Read more

Remember Me - film still
“Tell the Story That Wants to Be Told”: Claire Titelman on Grief, Comedy, and Remember Me

For Claire Titelman, Remember Me began not as a conventional film project but as a creative response to an extraordinarily difficult chapter in her life. The film is set to premiere in Austria at this years Vienna Independent Film Festival. While spending months in her hometown helping her father transition into memory care as he declined with Alzheimer’s, Titelman was also navigating... Read more

Farryl Christina Lawson
Farryl Christina Lawson Steps Into Her Leading Lady Era With A Neglected Wife

After an eight-year journey from UC Berkeley’s pre-med track to Hollywood, the actress opens up about her feature-film leading-role debut in Dara Frazier’s A Neglected Wife, the emotional weight of carrying a film, and the breakthrough that’s redefining her career. Nearly a decade into building her career across independent film, television, theater, and fashion, Farryl Christina Lawson has reached a... Read more

Reviews

Hot Spot: When Style Tries to Replace Cinema

by Günther Kramer October 5, 2026 | No Comment

Uwe Boll’s Citizen Vigilante: Armie Hammer Takes Justice Into His Own Hands

by Diana Ringo June 22, 2026 | No Comment

Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

by Günther Kramer May 1, 2026 | No Comment

‘Mengele’ Aims for Historical Thrills but Gets Lost in Execution

by Pete Brown April 5, 2026 | No Comment

Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

by Günther Kramer March 25, 2026 | No Comment

Sydney Sweeney and Amanda Seyfried Anchor the Tense Mind Games of ‘The Housemaid’

by Pete Brown March 1, 2026 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

“What Remains” by Ran Huang – Locarno Review

by Elena Ringo August 15, 2023 | No Comment

“Barbie”: A Plastic Parade of Pseudo-Philosophy

by Elena Ringo August 15, 2023 | No Comment

Touched (2023) by Claudia Rorarius – Locarno Review

by Elena Ringo August 11, 2023 | No Comment

“Fallen Leaves”: A Wry and Tender Portrait of Love in Kaurismäki’s Helsinki

by Elena Ringo August 1, 2023 | No Comment

Playing Through

by Diana Ringo October 4, 2022 | No Comment

Blonde

by Elena Ringo October 4, 2022 | No Comment

Mainstream (2021) by Gia Coppola

by Diana Ringo August 6, 2021 | 1 Comment

M (2018) – Review

by Elena Ringo August 19, 2019 | No Comment

The Factory – Review

by Elena Ringo February 7, 2019 | No Comment

Cold War – Review

by Elena Ringo October 24, 2018 | No Comment

Profile – Berlinale 2018 Review

by Elena Ringo February 24, 2018 | No Comment

7 Days in Entebbe – Berlinale 2018 Review

by Elena Ringo February 20, 2018 | No Comment

Dovlatov – Berlinale 2018 Review

by Elena Ringo February 19, 2018 | No Comment

Eva – Berlinale 2018 Review

by Elena Ringo February 18, 2018 | No Comment

Damsel – Berlinale 2018 Review

by Elena Ringo February 17, 2018 | No Comment

The Shape of Water – Review

by Elena Ringo January 22, 2018 | No Comment

Loving Vincent – Review

by Elena Ringo December 17, 2017 | No Comment

mother! – Review

by Günther Kramer October 11, 2017 | No Comment

Just Call Me God: A dictator’s final speech Review

by Diana Ringo March 14, 2017 | No Comment

Logan Review

by Elena Ringo March 3, 2017 | No Comment

The Other Side of Hope Review – Berlinale 2017

by Elena Ringo February 21, 2017 | No Comment

Wild Mouse (Wilde Maus) Review – Berlinale 2017

by Elena Ringo February 20, 2017 | No Comment

Hostages (2017) Review – Berlinale 2017

by Elena Ringo February 16, 2017 | No Comment

Return to Montauk Review – Berlinale 2017

by Elena Ringo February 15, 2017 | No Comment

The Midwife (Sage Femme) Review – Berlinale 2017

by Elena Ringo February 14, 2017 | No Comment

The Party Review – Berlinale 2017

by Diana Ringo February 13, 2017 | No Comment

The Young Karl Marx Review – Berlinale 2017

by Elena Ringo February 13, 2017 | No Comment

Viceroy’s House Review – Berlinale 2017

by Elena Ringo February 12, 2017 | No Comment

Elle Review

by Günther Kramer January 26, 2017 | No Comment

The Student (2016) – Review

by Elena Ringo December 14, 2016 | No Comment

Latest News

Hot Spot: When Style Tries to Replace Cinema

by Günther Kramer October 5, 2026 | No Comment

Marilyn Monroe: A Hundred Years of an Unforgettable Icon

by Elena Ringo October 5, 2026 | No Comment

THE FREYAS in Helsinki: Nordic Cinema Breaks the Ice

by Diana Ringo September 25, 2026 | No Comment

Prague Independent Film Festival Announces 2026 Winners

by Günther Kramer September 21, 2026 | No Comment

“Tell the Story That Wants to Be Told”: Claire Titelman on Grief, Comedy, and Remember Me

by Günther Kramer September 8, 2026 | No Comment

Farryl Christina Lawson Steps Into Her Leading Lady Era With A Neglected Wife

by Günther Kramer August 21, 2026 | No Comment

Uwe Boll’s Citizen Vigilante: Armie Hammer Takes Justice Into His Own Hands

by Diana Ringo June 22, 2026 | No Comment

Interview with Uwe Boll: Citizen Vigilante Director on Politics, Cinema, and the Future of Filmmaking

by Diana Ringo June 13, 2026 | No Comment

Anthony Head, ‘Buffy the Vampire Slayer’ and ‘Ted Lasso’ Star, Dies at 72

by Günther Kramer June 1, 2026 | No Comment

Zvyagintsev’s Triumphant Return as ‘Minotaur’ Takes Cannes Grand Prix

by Pete Brown May 23, 2026 | No Comment

Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

by Günther Kramer May 1, 2026 | No Comment

Impostors in the Spotlight?

by Günther Kramer April 16, 2026 | No Comment

‘Mengele’ Aims for Historical Thrills but Gets Lost in Execution

by Pete Brown April 5, 2026 | No Comment

Canvas to Camera: The 15 Best Movies About Painters

by Pete Brown March 25, 2026 | No Comment

Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

by Günther Kramer March 25, 2026 | No Comment

Sydney Sweeney and Amanda Seyfried Anchor the Tense Mind Games of ‘The Housemaid’

by Pete Brown March 1, 2026 | No Comment

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

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