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Home › Film
  • God of Happiness by Dito Tsintsadze

    God of Happiness – VIFF 2016

    by Günther Kramer Festivals, Film

    The new German film God of Happiness was shown on the 4th of July as the opening film of the VIFF Vienna Independent Film Festival and won two top awards – Best Director award for Dito Tsintsadze and Ralf M. Mendle received the award for Best Cinematography. It is a tragi-comedy set in modern Germany

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  • Film Director

    10 Mistakes of Beginner Filmmakers

    by Pete Brown Articles, Film

    Bad casting. Do not give roles only for the reason that it is cheap or free of charge. Although you might have great friends that does not mean they will make great actors. Actors should be either professional or similar to their characters both visually and behaviorally. Bad composition of the frame. Avoid extreme close-ups,

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  • ex_machina

    Nature of Life in Cinema

    by Günther Kramer Essays, Film

    “Ex Machina” is a science fiction film which tells a story of a young programmer, Caleb who is invited by his employer, Nathan, to administer the Turing test to a female robot, Ava who has Artificial Intelligence. The film investigates the subject of creation of a woman which has a long history in both literature

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  • Solaris

    Problems of Humanism in Solaris by Tarkovsky

    by Elena Ringo Essays, Film

    The film Solaris was based on the fantastic novel by Stanislaw Lem but there is no doubt that the film adaptation by Tarkovsky is much deeper and more interesting than the novel. The novel of Stanislaw Lem is more about the exploration of the cosmos and the film of Tarkovsky is more about the earth

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  • Sacrifice

    Dreams of Home in the Films of Andrei Tarkovsky

    by Elena Ringo Essays, Film

    The dreamlike images of home present in many of Andrei Tarkovsky’s films have an allegorical meaning and reflect the transformation of the conscious and of the subconscious world of the author. Andrei Tarkovsky is renowned for metaphorical language, philosophical dialogue, esoteric symbolism and the blending between the subjective and objective. In his memoir Sculpting in

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  • Previous
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1
Concrete Nothingness: How The Brutalist Builds to Nowhere
2
Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary
3
Anora: A Vulgar Ass-ault on Cinema
4
A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase
5
Megalopolis: A Misstep from a Legendary Director

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