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  • Uwe Boll

    Interview with Uwe Boll: Citizen Vigilante Director on Politics, Cinema, and the Future of Filmmaking

    by Diana Ringo Film, Interviews, News, Personalities

    From Citizen Vigilante to cult hits like Rampage and Postal, Uwe Boll reflects on censorship, controversy, and the state of modern cinema. In this in-depth conversation with Diana Ringo on 13.6.2026, Uwe Boll reflects on his latest project, Citizen Vigilante, while also looking back at his long career in filmmaking. Known for provocative genre work

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  • Anthony Head

    Anthony Head, ‘Buffy the Vampire Slayer’ and ‘Ted Lasso’ Star, Dies at 72

    by Günther Kramer Film, News, Personalities

    The veteran British actor, beloved for his turn as Rupert Giles and later as the villainous Rupert Mannion, built a four-decade career across stage, television and film. Anthony Head, the veteran British actor beloved for his turn as Rupert Giles on Buffy the Vampire Slayer and later reviled — in the best possible way —

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  • Film still of Minotaur (2026) by Andrey Zvyagintsev

    Zvyagintsev’s Triumphant Return as ‘Minotaur’ Takes Cannes Grand Prix

    by Pete Brown Festivals, Film

    As Cristian Mungiu’s Fjord took the Palme d’Or, many critics left Cannes talking about Minotaur, Zvyagintsev’s acclaimed Grand Prix winner. CANNES, France — Romanian filmmaker Cristian Mungiu claimed the Palme d’Or at the 79th Cannes Film Festival on Saturday night for Fjord, a family drama set in Norway that explores cultural conflict, faith and political

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  • Jaafar Jackson in Michael (2026)

    Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

    by Günther Kramer Film, Reviews

    Despite an electrifying performance by Jaafar Jackson and impressive filmmaking craftsmanship, Antoine Fuqua’s biopic offers a largely idealized portrait of the King of Pop, sidestepping the controversies that continue to shape his legacy. Directed by Antoine Fuqua and written by John Logan, Michael is an ambitious musical biographical drama that chronicles the rise of Michael

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  • Frida (2002)

    Canvas to Camera: The 15 Best Movies About Painters

    by Pete Brown Articles, Film

    Cinema has long been fascinated with the figure of the artist—not simply as a creator, but as a vessel of obsession, suffering, transcendence, and contradiction. These films operate as more than mere chronological biographies; they are cinematic mirrors held up to the act of creation, translating the static, tactile world of the canvas into a

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  • Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

    by Günther Kramer Film, Reviews

    At first glance, Mr. Nobody Against Putin appears deceptively simple: a quiet chronicle of a Russian school in Karabash, children going about their day, and a teacher—or, more accurately, a videographer—filming classrooms. But the simplicity is misleading, beneath the surface, the film is a labyrinth of unanswered questions, gaps in authorship, and puzzling editorial decisions.

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  • The Housemaid (2025)

    Sydney Sweeney and Amanda Seyfried Anchor the Tense Mind Games of ‘The Housemaid’

    by Pete Brown Film, Reviews

    At the outset, The Housemaid (2025) feels surprisingly modest, perhaps even deceptively simple, for a high-stakes psychological thriller. The initial impression is one of visual restraint that borders on a clinical plainness. Paul Feig’s pivot from the high-energy comedy of Bridesmaids and Spy into the cynical thriller space is a curious move; his background in

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  • John Schwab in Blood Star

    Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

    by Günther Kramer Film, Interviews

    In filmmaking, the math is never on your side. Vision grows, budgets tighten, and the distance between them becomes the battlefield where most first time filmmakers fall. But for director Lawrence Jacomelli and producer Victoria Taylor, the equation was even harsher. With no external financing, no U.S. production infrastructure, and a shooting schedule shorter than many commercials, the Brighton-based

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  • The Haunting of Prince Dom Pedro

    The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

    by Günther Kramer Film, Reviews

    In a horror landscape oversaturated with self-serious franchises and disposable teen slashers, The Haunting of Prince Dom Pedro arrives as a spirited antidote — a knowingly ridiculous spoof that treats camp as an art form. Directed by Don Swanson and written by Joe Fishel (who also stars), this supernatural comedy isn’t just entertaining — it

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  • Ronn Moss in Espoo. Photo by Elena Ringo.

    Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

    by Elena Ringo Film, Interviews, Personalities

    The former Player frontman and beloved Ridge Forrester shares his music, stories, and philosophy in an unforgettable concert at Tapiola Hall. Ronn Moss — the American actor, musician, and eternal Ridge Forrester for Finnish audiences — brought his unmistakable charm and musical talent to Espoo’s Tapiola Concert Hall on October 8, 2025. Best known for

    Read more »

  • PIFF 2025 Winners

    Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

    by Günther Kramer Festivals, Film, Personalities

    The 2025 Prague Independent Film Festival (PIFF) has wrapped up with an exceptional display of talent from filmmakers around the world. From thought-provoking short films to emotionally charged feature narratives, this year’s awards recognized works that pushed the boundaries of storytelling, experimentation, and artistry. I Never Said Goodbye was named Best Feature Film, winning acclaim

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  • Jean-Paul Belmondo and Jean Seberg in Breathless

    Forever Breathless: 65 Years of Godard’s À bout de souffle

    by Elena Ringo Articles, Film, Personalities

    In the spring of 1960, French cinema was transformed when Jean-Luc Godard’s À bout de souffle (Breathless) premiered in Paris. Sixty-five years later, it remains not just a cornerstone of the French New Wave but an emblem of artistic rupture—a declaration that cinema could breathe differently, speak in fragments, and move with the improvisational spirit

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  • Clint Eastwood on the set of "Unforgiven" (1992)

    Clint Eastwood at 95: The Last Cowboy Still Rides

    by Günther Kramer Articles, Film

    On May 31, 2025, Clint Eastwood turns 95—an age few actors, let alone filmmakers, reach with their legacy not only intact but still evolving. For Eastwood, it’s another quiet milestone in a career defined by independence and a lifelong refusal to conform. Over more than seven decades, he has transformed from a television actor into

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Latest News

Uwe Boll’s Citizen Vigilante: Armie Hammer Takes Justice Into His Own Hands

by Diana Ringo June 22, 2026 | No Comment

Interview with Uwe Boll: Citizen Vigilante Director on Politics, Cinema, and the Future of Filmmaking

by Diana Ringo June 13, 2026 | No Comment

Anthony Head, ‘Buffy the Vampire Slayer’ and ‘Ted Lasso’ Star, Dies at 72

by Günther Kramer June 1, 2026 | No Comment

Zvyagintsev’s Triumphant Return as ‘Minotaur’ Takes Cannes Grand Prix

by Pete Brown May 23, 2026 | No Comment

Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

by Günther Kramer May 1, 2026 | No Comment

Impostors in the Spotlight?

by Günther Kramer April 16, 2026 | No Comment

‘Mengele’ Aims for Historical Thrills but Gets Lost in Execution

by Pete Brown April 5, 2026 | No Comment

Canvas to Camera: The 15 Best Movies About Painters

by Pete Brown March 25, 2026 | No Comment

Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

by Günther Kramer March 25, 2026 | No Comment

Sydney Sweeney and Amanda Seyfried Anchor the Tense Mind Games of ‘The Housemaid’

by Pete Brown March 1, 2026 | No Comment

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

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