• Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact

Indie Cinema Magazine

Menu
  • Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact
Home › Articles › Film › News › Personalities › Haunting first trailer for the film 1984, based on George Orwell’s novel, has been released

Haunting first trailer for the film 1984, based on George Orwell’s novel, has been released

by Günther Kramer
November 22, 2022
   

Aleksandr Obmanov in Diana Ringo’s film “1984”

Finnish producer and director Diana Ringo has released the official trailer for the film “1984”. This is the first film adaptation of Orwell’s novel in Russian language. The premiere is scheduled for summer 2023.

George Orwell is one of the most influential authors in human history, and his novel “1984” is a warning of dangers of social conformity and the possible rise of totalitarian police state. In 1984, Michael Radford directed the last film adaptation of the novel.

Plot:

The film shows the gloomy future of mankind – a totalitarian state, where the almighty and mysterious Big Brother is at the head of the state. This is a de-humanized society of total control, disinformation. Hatred of the enemies of the people is being cultivated, art and independent thinking are being destroyed. The protagonist is a mathematician who has devoted himself to science. His life changes dramatically when he meets a girl from the art department. From her, he learns that there is a Resistance that is preparing a coup d’état. He is faced with a choice – to join the resistance or betray his members.

Director Diana Ringo:
“I read Orwell’s novel in my youth, and have long wanted to film it. Now people in many countries rediscover this novel, consider it from different points of view. I wanted to give my own interpretation. The film also contains references to Yevgeny Zamyatin’s novel “We” which greatly influenced Orwell’s work. If we follow the development of the plot in both books, we can see that they are similar in many ways. I did not want to make a 100% accurate adaptation of “1984”, I decided to rethink the novel from the perspective of today. Alienation, isolation, loneliness, and the enslavement of man are important themes of my film. It was also important for me to create interesting images and an impressive musical score. I wrote all the music for the film myself. My film has a strong message for anyone who thinks total suppression of the society will lead to permanent authoritative rule. The harder the government oppress citizens, the more resistance is bred.

The cast includes:
Aleksandr Obmanov, a young actor from Volgograd, plays the role of the mathematician protagonist. He played earlier in Diana Ringo’s previous film “Quarantine”.

Alexey Sharanin, a popular actor, musician and TV presenter, plays the author of Newspeak, a language whose vocabulary shrinks every year.

One of the most sought-after male models in Russia, Alexei Shamaev, plays the role of the television announcer in the film. This is his film debut.

Filming began in the summer of 2022 in Moscow.

Cast: Aleksandr Obmanov, Diana Ringo, Alexey Sharanin, Vladislav Kuvitsyn, Sergey Budanov, Anton Biryukov, Sergey Nikitin, Vladimir Ivany, Alexey Shamaev, Ilya Droznin and others. The music for the film was written by the director of the film, Diana Ringo.

The previous film by Diana Ringo is the anti-utopia “Quarantine” (2021) starring Anatoly Bely, Honored Artist of the Russian Federation. The film was a success at various international film festivals and was a non-English language entry at the 2022 Golden Globes.

First film trailer of “1984”
Second film trailer of “1984”
Articles Film News Personalities

 Previous Post

Next Post 

Author: Günther Kramer

Related Articles

Uwe Boll

Interview with Uwe Boll: Citizen Vigilante Director on Politics, Cinema, and the Future of Filmmaking

by Diana Ringo
June 13, 2026

From Citizen Vigilante to cult hits like Rampage and Postal, Uwe Boll reflects on censorship, controversy, and the state of

Anthony Head, ‘Buffy the Vampire Slayer’ and ‘Ted Lasso’ Star, Dies at 72

by Günther Kramer
June 1, 2026

Zvyagintsev’s Triumphant Return as ‘Minotaur’ Takes Cannes Grand Prix

by Pete Brown
May 23, 2026

Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

by Günther Kramer
May 1, 2026

Impostors in the Spotlight?

by Günther Kramer
April 16, 2026

‘Mengele’ Aims for Historical Thrills but Gets Lost in Execution

by Pete Brown
April 5, 2026

Canvas to Camera: The 15 Best Movies About Painters

by Pete Brown
March 25, 2026

Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

by Günther Kramer
March 25, 2026

Latest News

Interview with Uwe Boll: Citizen Vigilante Director on Politics, Cinema, and the Future of Filmmaking

by Diana Ringo June 13, 2026 | No Comment

Anthony Head, ‘Buffy the Vampire Slayer’ and ‘Ted Lasso’ Star, Dies at 72

by Günther Kramer June 1, 2026 | No Comment

Zvyagintsev’s Triumphant Return as ‘Minotaur’ Takes Cannes Grand Prix

by Pete Brown May 23, 2026 | No Comment

Jaafar Jackson Shines in Michael, a Polished but Sanitized Biopic

by Günther Kramer May 1, 2026 | No Comment

Impostors in the Spotlight?

by Günther Kramer April 16, 2026 | No Comment

‘Mengele’ Aims for Historical Thrills but Gets Lost in Execution

by Pete Brown April 5, 2026 | No Comment

Canvas to Camera: The 15 Best Movies About Painters

by Pete Brown March 25, 2026 | No Comment

Mr. Nobody Against Putin — A Puzzle of Myth, Ambiguity, and the Oscar

by Günther Kramer March 25, 2026 | No Comment

Sydney Sweeney and Amanda Seyfried Anchor the Tense Mind Games of ‘The Housemaid’

by Pete Brown March 1, 2026 | No Comment

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

Exploring Love Through Grief: Darrell Bridgers’ Psychological Journey in “Zeke”

by Diana Ringo September 16, 2024 | No Comment

The Magazine of Independent Cinema

Copyright © 2026 Indie Cinema Magazine

Social Links

  • Subscribe
  • About
  • Team
  • Contact