• Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact

Indie Cinema Magazine

Menu
  • Home
  • Interviews
  • Reviews
  • About
  • Print
  • Contact
Home › Reviews › The Danish Girl Review

The Danish Girl Review

by Pete Brown


December 25, 2015
   

The Danish Girl

“The Danish Girl” is yet another politically correct movie by Tom Hooper. No doubt that the topic – the story of the first transgender patient was chosen by him not by accident.

To criticize the film is a hard task when critics can be interpreted as intolerant and so on. However the director was not able to reflect the complexity and dramatism of the real story of Lili Elbe, born as Einar Wegener who died  as a result of an unsuccessful sex reassignment operation.

The film is too superficial, too shallow and it seems that the director does not know what the story is about. The film Glen or Glenda by Ed Wood was more convincing. The depiction of Gerda Wegener – the wife of Lili is not believable either.

In the end of the film we see the text praising Lili Elbe as an inspiration to the transgenders to come. This politically correct remark leaves a sort of bewilderment.  The unhealthy fixation with own sexuality is not really the most important thing in this complex world full of much more significant problems. This text is a classical example of imposing a questionable and politically motivated point of view to the audience instead of leaving space for thought. Perhaps the story of Lili can not only be an inspiration but also a warning for those people who want to solve their psychological problems with a surgeons knife.

The film is shot in a pleasant color scheme which makes it possible to watch the film, albeit not without severe boredom.

Reviews

 Previous Post

Next Post 

Author: Pete Brown

Related Articles

Vesse Saastamoinen in Cello

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer
February 8, 2026

The Solaris Film Festival 2026 edition took place in Helsinki, Finland, a city celebrated for its vibrant cinematic culture and

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo
December 28, 2025

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer
December 10, 2025

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer
December 7, 2025

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer
November 3, 2025

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo
October 11, 2025

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer
September 25, 2025

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo
July 11, 2025

Latest News

Solaris 2026 Winners: A Celebration of Independent Cinema in Helsinki

by Günther Kramer February 8, 2026 | No Comment

Brigitte Bardot: The Eternal Rebel of French Cinema Dies at 91

by Elena Ringo December 28, 2025 | No Comment

Blood Star: Director Lawrence Jacomelli’s Debut Feature — The 10-Day Desert Shoot That Shouldn’t Have Been Possible

by Günther Kramer December 10, 2025 | No Comment

The Curse of Modigliani (2025) — A Modern Interpretation on the Life of Amedeo Modigliani

by Günther Kramer December 7, 2025 | No Comment

The Haunting of Prince Dom Pedro — A Clever, Campy Indie That Makes History Class a Killer Good Time

by Günther Kramer November 3, 2025 | No Comment

Do Not Be Afraid of Anything: Ronn Moss Speaks from the Heart

by Elena Ringo October 11, 2025 | No Comment

Kristin Griffith and Artur Smolyaninov Win Top Acting Honors at Prague Independent Film Festival

by Günther Kramer September 25, 2025 | No Comment

Filmmaker Marcus Chan Talks Craft, Representation, and Creative Risk

by Diana Ringo July 11, 2025 | No Comment

Forever Breathless: 65 Years of Godard’s À bout de souffle

by Elena Ringo June 7, 2025 | No Comment

Clint Eastwood at 95: The Last Cowboy Still Rides

by Günther Kramer June 3, 2025 | No Comment

Cannes 2025: Loznitsa’s Two Prosecutors Stuns Critics as Jafar Panahi Takes Palme d’Or in Politically Charged Edition

by Günther Kramer May 25, 2025 | No Comment

Concrete Nothingness: How The Brutalist Builds to Nowhere

by Elena Ringo April 29, 2025 | No Comment

Watch the Curse of Modigliani Trailer—Obsession, Betrayal, and a Haunted Diary

by Günther Kramer February 22, 2025 | No Comment

Anora: A Vulgar Ass-ault on Cinema

by Elena Ringo December 21, 2024 | No Comment

A Raven in Tokyo: How Mark Gill Captured the Troubled Genius of Masahisa Fukase

by Diana Ringo November 14, 2024 | No Comment

Megalopolis: A Misstep from a Legendary Director

by Elena Ringo November 12, 2024 | No Comment

Inside the Making of “Saving Mango”: A Cat’s Story of Survival and Loyalty

by Diana Ringo October 27, 2024 | No Comment

Facing the Past: Exploring Generational Trauma in They Don’t Leave

by Diana Ringo October 3, 2024 | No Comment

Indie Cinema Magazine – Issue 7

by Günther Kramer September 22, 2024 | No Comment

Generations and Identity: Inside Ying Chu’s Ah-Ma: A Tale of Two Worlds

by Diana Ringo September 20, 2024 | No Comment

Exploring Love Through Grief: Darrell Bridgers’ Psychological Journey in “Zeke”

by Diana Ringo September 16, 2024 | No Comment

“HOME”: Shimizu K’s Latest Film Examines Family Relationships and the Complexity of Communication

by Diana Ringo September 14, 2024 | No Comment

Kyle Browne and Ken Kinna’s Meditative Film “Spirit Sensing: Anima of the Quarry”

by Diana Ringo September 8, 2024 | No Comment

Interview with film director and animation legend John Musker

by Diana Ringo September 8, 2024 | No Comment

The Untold Influence of Arleen Schloss: Stuart Ginsberg Discusses His Documentary Debut

by Diana Ringo September 5, 2024 | No Comment

A Modern Surrealist Tale: “Love Intense” Creators Discuss Their Vision and Process

by Diana Ringo August 31, 2024 | No Comment

Mark Tompkins Explores Dark Suburban Realities in “This Is Not My Beautiful House”

by Diana Ringo August 29, 2024 | No Comment

From Earth to Mars: Kai Yang Explores Parallel Realities in “Upon the Deep”

by Diana Ringo August 28, 2024 | No Comment

Darron Carswell on Making a Neo-Western Road Movie with Villa Mink

by Diana Ringo August 27, 2024 | No Comment

Carlos Arjona Crafts a Contemporary Tale of Mayan Myth in “Far Away from My Town”

by Diana Ringo August 27, 2024 | No Comment

The Magazine of Independent Cinema

Copyright © 2026 Indie Cinema Magazine

Social Links

  • Subscribe
  • About
  • Team
  • Contact